there is no
red wheel
barrow, white
chickens or rain
water in
this image
and yet
so much
depends upon
the speed
of a slug:
the orange
of the withered
poppy petal,
the ominous
shadow of
the plant the petal
fell from,
and the stymied
stance of the three
sad pebbles.
had I not
slowed down enough
to see this
inconsequential scene
of a tiny
creature in transit
slithering its slick
evaporating trail
across
the vast terrain
of a flagstone
slab, I might not
have noticed
how meticulous
nature is
in the way
it arranges
threshold moments
everywhere, all the time,
for all its kin
and more-than-human kind.
nor would I have
remembered
William Carlos
William’s simple,
yet revolutionary
poem,
and how it has
influenced me
more than
I ever knew:
how the glaze
in it taught me
to see the beauty
and bravery
in the everyday
and in
every
living thing.

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